The prestigious Italian organist Paolo Crivellaro opens the eleventh edition of the Vila de Santanyí International Music Festival with this concert in the church of Sant Andreu de Santanyí.
Professor at the Universität der Künste (University of the Arts) in Berlin, Crivellaro is regularly invited to give lectures and master classes at the most prestigious universities and higher education centers in Paris, Prague, Groningen, Tokyo, Hèlsinki, Göteborg, Saint Petersburg. , Seoul, Amsterdam, Warsaw, etc.
He has also been invited to form part of juries in international organ competitions in cities such as Odense, Prague, Freiburg, Innsbruck or Linz, among others.
The concert is entitled The Time Machine: A Journey from Late Gothic to Baroque and consists of:
Late Gothic
Praeambulum on re, la, fa and solo Orgeltabulatur, by Adam Ileborg [1448]
I desire you with all my will, from Lochamer Liederbuch [15th century]
Kochersperger Spanieler, by Hans Kotter (c. 1485 - 1541)
Redeuntes in A, from Buxheimer Orgelbuch [1460 - 70]
Rebirth
Search quarto, by Girolamo Cavazzoni (c. 1510 - post .1577)
French song, by Sperindio Bertoldo (c. 1530 - 1570)
Alleluia: Per te Deo Genitrix, by Thomas Tallis (c. 1505 - post. 1585)
The Romanesque, by Antonio Valente (c. 1520 - 1601)
Between Renaissance and Baroque
Sicut erat First To., by Hans Leo Haßler (c. 1564 - 1612)
Fantasia [à 4: Echo], by Jan Pieterszoon Sweelinck (1561 - 1621)
Bergamasca, by Samuel Scheidt (1587 - 1654)
Fourth song, by Girolamo Frescobaldi (1583 - 1643)
The baroque
Three clarinet pieces, by Antonio Martín i Coll (c. 1660 - c. 1734)
Tento de 1.er tono de mano derecha and al medio a dos tiples, by Pablo Bruna (1611 - 1679)
Cuckoo, by Johann Caspar Kerll (1627 - 1693)
The battle
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