In Lope de Rueda, 31, Javier Rodríguez Lozano (Madrid, 1992) explores the pictorial potential of the entrance mats located in the landings of this building where the artist has lived the last eight years. Doormats, daily objects abused and often ignored, have a series of symbolic and formal charges that interest the artist.
Javier Rodríguez Lozano has made a certical trip down the staircase of his block of flats, scanning all the existing door mats on the doors of his neighbors' houses and then copying them in canvas format.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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The Casal Solleric presents the project The Red Room by the Mallorcan artist Bernardí Roig (Palma, 1965), an intervention conceived specifically for ...
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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