In his series of recent paintings, Adrián Navarro paints in two stages: building a joyously chromatic and gestural background, looking for lightness rather than density, and then superimposing a white screen perforated by circles.
This painter interweaves the references to the organic with a kind of computational allegory, the physical and objectual literally remains veiled in a whiteness that breaks down the reticular pattern.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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Utopía del Lodo y Sashimi de Bruma is an immersive installation by Grip Face that reflects on the global state of war today, with special ...
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The Casal Solleric presents the project The Red Room by the Mallorcan artist Bernardí Roig (Palma, 1965), an intervention conceived specifically for ...
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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