The church of the Convent of Sant Domingo de Pollença hosts this exhibition project by the Mallorcan artist Albert Pinya, which has the special collaboration of flamenco singer Francisco Contreras Molina, artistically known as Niño de Elche.
Both artists, born in 1985, share a totally transversal, versatile and collaborative artistic practice, in addition to maintaining an open attitude towards experimentation.
The installation Artefactes, vocables i nins is subtitled Some considerations about the permanence (of painting) in times of tecnobabarie.
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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