A multidisciplinary installation by Rosa Mascaró in which she juxtaposes, by image, sound, and various objects and materials, two concepts of the role of women in love: object and subject.
The work refers to the body as a home-prison which in the eyes of the other may disappear in the infinite white tomb of lime. The materials, lime, palm brushes transformed into a large hair trophy, serve as catalysts of this image of women as objects, and in turn as a subject that idealizes love and that, in many cases, can be transformed into an internal prison.
This exhibition is included in the II Festival Miradas de Mujeres (Views of Woman) which is organized by the Asociation Mujeres en las Artes Visuales (MAV) (Women in the Visual Arts) and aims to get the exposure and spread the work carried out by women in the world of art in Spain deserves. On the island they have joined the initiative, with more than fifty participants, artists, curators and lecturers.
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