Can Monroig hosts the recent work of Mallorcan photographer Gabriel Ramon, a series of portraits in black and white wet collodion which give the work an anachronistic and enigmatic character.
This technique, devised in 1851 by Gustave Le Gray, consists of using collodion, a kind of varnish which is poured liquid onto the glass plates. The plate must remain wet throughout the whole process, which meant that photographers had to bring the laboratory with them to prepare the plate before shooting.
A drawback that caused the abandonment of the technic in the 1880s and which is today recovered by contemporary photography as shown The photographic scar.
Vista is the first solo exhibition of British artist Fiona Rae to be held in Spain. The exhibition brings together a selection of works created ...
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Miró's most experimental stage: found objects, “discarded” materials and the art of looking at everyday life ...
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Cineforum series at CaixaForum Palma
A film club open to all audiences (with a special focus on senior audiences) to watch films as a ...
Climb up to the terraces to see Palma from above: bay, bell tower, flying buttresses and rose window (guided tours in shifts)
If ...
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